Suddenly, the young woman who has everything to live for finds herself facing her own mortality as. Jed Rosenzweig is the Founder and Publisher of Primetimer. While on her way to a job interview, a wrong turn leaves her stranded deep in the frozen forest. Other projects shot at the ranch's Western town set include The Ballad of Buster Scruggs, Lonesome Dove, Walker Texas Ranger, and Wild Hogs.Įnd of the Road premieres on Netflix Friday September 9. According to sources close to Bonanza Creek Ranch, it was built in 2013 as a location for the Seth MacFarlane film A Million Ways to Die in the West. This isn't the first time the church has appeared on screen. Primetimer reached out to Netflix for comment but hadn't heard back by press time. While the producers of End of the Road can't be blamed for filming at the church - End of the Road was shot in the summer of 2021, months before Hutchins' death - including an image of the now-infamous church in promotional materials for the film is, if not tasteless, then certainly distracting. It was in that church, a filming location at the Bonanza Creek Ranch near Santa Fe, New Mexico, that Alec Baldwin accidentally shot cinematographer Halyna Hutchins while rehearsing a scene. Whether stranded in the woods or stood right by your car, it’s easy to identify with Sawyer’s terrifying predicament.If you've been following the story of cinematographer Halyna Hutchins' death on the set of the film Rust last year, you'll likely recognize that church from news coverage of the tragedy. In this sort of film, you’re on guard for pop-up scares and sudden. It’s tight without being punishing, and its humor takes you happily by surprise. Horror fans might think it slightly underwhelming in the violence department, and there is virtually no gore to speak of, but female viewers will recognise as they did with Unsane a story of a woman punished for having the gall to say no, and the accompanying fear of the consequences. But Rust Creek lets you exhale just a bit. McGowan’s movie is an IFC Midnight selection, so hopefully it’ll find the right audience. Likewise, the suggestion of a town-wide conspiracy is well-handled and never overplayed. There’s a good sense of geography, both before and after Sawyer is captured. Rust Creek boasts some lovely cinematography (the film was shot by a female DP, too) that captures how equally harsh and beautiful the virtually untouched countryside is. Sawyer is a character only a woman could conceive, and Corfield suggests a multitude of layers with just the tiniest tilt of her eyes. She’s a hugely likeable screen presence, and it’s easy to imagine her headlining darker fare in future thanks to those deceptively soft features. You can almost see the cogs turning in her brain as she tries to figure everything out.Ĭorfield is terrific as the lead, committing fully to the dirt-under-her-fingernails scenario. Even in the harshest circumstances, Sawyer is tough and dilligent. Sawyer and her captor form a weird sort of bond, but it’s worth noting that neither Lipson nor director Jen McGowan ever hint at Stockholm Syndrome taking hold - their heroine is too smart for that. Their interactions are surprisingly naturalistic, especially when the science student makes the best of a bad situation. Writer Julie Lipson clearly knows this world, and these characters, very well.Īs the story expands to include an uppity deputy, and the sheriff he tries to convince to look for Sawyer even when the trail goes cold, Rust Creek saddles its heroine with a local meth lab operator who may or may not have her best interests at heart. The vibe is authentically rustic, similar to Killer Joe, Winter’s Bone, or even last year’s Hold The Dark. Watch as the camera zeroes in on her perfect French manicure before Sawyer has to tear her false nails off to climb a cliff - there’s plenty of attention to detail here, and of understanding. It’s one of those legs that gets stabbed, leading her grey sweatpants to turn dark red with blood and leaving Sawyer limping through the harsh terrain, trying to make it through the night without being spotted. She naturally has some fight in her, as noted in the film’s opening moments, when Sawyer is shot running on a track, the camera focused on her lean, strong legs. This young woman, totally alone and trying to be polite, takes a risk even admitting how uncomfortable she is. Sawyer’s interaction with the two strange men who approach her pledging to assist with directions, although it only takes up about ten minutes of screen-time, is the strongest and most frightening sequence. Rust Creek is primarily focused on the female struggle.
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